I thought I'd post a few more of the masterpiece challenge quilts that I have finished. To be honest, I just quilted two of them this morning. But it is fun to see the original inspiration piece next to my interpretation. So here goes.
The first is a piece by David Bates, a Dallas painter.
My version:
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Blue Bouquet, 15"w x 20"h |
Next is a piece by Gustave Caillebotte, "The Yerres, Effect of Rain." The Kimbell Museum of Fort Worth hosted a Caillebotte retrospective earlier this year, and Jay fell in love with it.
I don't usually attach things to my quilts, but I couched circles of ribbon to represent the patter of the rain.
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Rain on the River, 15"w x 20"h |
Next is a painting by George Stubbs, "Whistlejacket":
As an abstract artist, I wasn't sure what to do with this piece. And then I decided to make an abstracted, semi-sort-of-cubist, horse. Slashing it a few times with the rotary cutter helped immensely. So if you look closely at my piece, very closely, and use a great deal of imagination, you can sort of see a horse. Perhaps if you squint a bit...
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Sort of a Horse, 15" w x 20"h |
The last one is inspired by a painting by Piet Mondrian from the permanent collection of the Kimbell. It is called "Abstraction."
This one grew a little beyond the standard challenge size. And, yes, it is composed of tuning fork units. But they are deconstructed.
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"T" With Mondrian, 22"w x 28"h |
The masterpiece challenge has been just that, a challenge. I had decided at the beginning of the challenge that I would use the palette of the chosen piece of art. I try hard not to make a literal copy of the painting, but instead I look at the piece and pull out elements that I like and try to use those as the structure of my composition. Are all successful? No, but they are a great learning experience and it has been a lot of fun.
I'm linking this post to Nina-Marie's Off the Wall Friday, Friday Fabric Frenzy and
Confessions of a Fiber Addict.
Go see all the wonderful work there!
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